Wednesday, July 12, 2006

Super(?)Man


I wasn't sure if I was going to write up my thoughts on the new movie Superman Returns or not. I was really excited about it and leading up to seeing it, I was surprised at how few other people were excited. Obviously, somebody went and saw it, since it made over $100 million in its Wednesday to Sunday opening "weekend." Not bad, but to put that into context, Pirates of The Caribbean: Dead Man's Chest made $135 million it's first weekend, and it started on a Friday, not a Wednesday. But, none of my friends have seen it, not even Max, even though the two of us have been closely following it's production. So, I don't really have anyone to talk with about what I liked and didn't like about it.

Generally, I find that you can discuss aspects of a movie in broad enough terms with people who haven't seen it, that you won't give anything away. However, the make or break, "yay "or "nay," thumbs up or thumbs down of the movie is a major plot spoiler. So, for instance, when I met Max, Ben, and Tim for lunch last week and they asked me what I thought of the movie I sounded like an incoherent idiot. When trying to explain what I didn't like about it, I think I said something like, "Well, there's this thing that happened in Superman II, that if what I have a problem with Superman Returns for having took place during, then it's okay, I guess. But, if the thing I didn't like about Superman Returns didn't take place during the thing that happened in Superman II, then I really have a problem with it." See? If that was the best you could come up with, you wouldn't want to talk about it either.

But recently, I have stopped worrying about ruining the movie for anyone. I don't think anyone that hasn't seen it already is probably going to see it anytime soon. And if you are planning on seeing it, and don't want anything ruined, for the love of God, stop reading this now. You've been warned.

Okay, so I'm going to assume that those of you left have either seen it or don't care. What I'm not going to assume is that you've seen (or if you have seen, remember) the first two Superman movies. This is one of the major problems that I have with Superman Returns. I'm a fan of the first 2 films. In fact, I own them both on DVD and I'm glad that this movie is not only a sequel of those two films, but ignores Superman III and Superman IV: The Quest For Peace. Although, in the interest of full disclosure I loved Superman III as a kid. It's got Richard Pryor, Superman turning evil, and even a scene where Superman splits into two Supermen with the good side fighting the bad side. Fortunately, I haven't seen it since it was first out on VHS, as I hear it's horrible, and I can keep my childhood memories untainted. Superman IV: The Quest For Peace, on the other hand, sucked then and will always suck.


Back to the first two movies, I haven't watched them in a while, and I bet it's been even longer for the average movie-goer, so the movie really faltered by not explicitly mentioning events in the last 2 movies. I mean, is it too much to ask for a little exposition referring to 2 movies that were made nearly 30 years ago?

So, unlike the screenwriter(s), I'm going to do a bit of a recap. First off, I want to say that Superman: The Movie is one of my all-time faves. I like it so much that I can overlook two glaring problems within the movie (a scene where a Lois Lane (Margot Kidder) voiceover recites poetry while she and Superman fly and the climax of the film where Superman flies around the Earth so fast he either goes back in time, or makes the Earth go back in time, either way, it's kinda dumb) and embrace it unconditionally as probably the best superhero movie of all-time. Richard Donner's film is beautifully shot, well-acted, and does a great job of using Superman as a metaphor for America (more on Superman as metaphor later). The movie essentially details the origin of Superman (an underappreciated Christopher Reeve), from his escape from his exploding homeworld of Krypton to his first time donning the tights and cape. From there he does battle with Lex Luthor (Gene Hackman) who is going to use nuclear missiles on the San Andreas Fault to plunge California into the ocean, so all the land he owns in Nevada will be high-priced beachfront property (more on Lex Luthor's real estate shenanigans later). Superman saves the day, of course, and drops Lex off at prison. The End.

Superman II picks up with 3 criminals from Krypton (who were off in their space prison when Krypton exploded) arriving on Earth. The are evil and decide to take over the world. Unaware of their presence on Earth, Superman has revealed his secret identity as Clark Kent to Lois, given up his powers in the Fortress of Solitude (Superman's arctic base of operations) so he can marry her, and finally hooked up with her. After returning from his "honeymoon," the now powerless Superman sees that the world needs his help fighting the evil Kryptonians, so he returns to the Fortress of Solitude and regains his powers. With his powers back, Superman eventually defeats the 3 Kryptonian criminals and saves that day. At the end of the movie, Superman realizes the world needs him and that Lois can't live with always fearing for his safety, so he gives her a superkiss and makes her forget his secret and presumably their subsequent romance. The End. Again, there are some things I don't like about this movie, but overall I love it. I mean, what's not to love about Superman duking it out with 3 other super-people? If you actually answered that question in any other way that by responding, "nothing," well, you're not only wrong, you're un-American.

In Superman Returns, Superman (a commendable Brandon Routh) has returned from being in space for 5 years. He comes back to discover that the world has moved on, with even Lois (a rather flat Kate Bosworth) has turned on him, winning a Pulitzer for an editorial entitled Why The World Doesn't Need Superman. She even went and had a kid and got engaged to Richard White (a surprising James Marsden). Lex Luthor (an awesome Kevin Spacey) is back this go around as well. This time Lex is bent on using technology he stole from the Fortress of Solitude to create a new continent, which will destroy most of North America, and selling the land to the displaced populace (see I told you there'd be more real estate shenanigans). Eventually Superman stops Lex, throws the forming continent into space, almost dies, pulls through, and finds out Lois's kid is his. The End.

Guess what part of that nearly ruined the movie for me? If you said throwing the continent into space, because it was kind of boring and Superman didn't really fight anyone or anything, you'd be close, but wrong. No, it was Superman having a kid. I mean, I remember talking to people about how I was annoyed when I found out Lois had kid before the movie even came, since that seemed to be unnecessary and out of character. Imagine how I felt when it turned out to be Superman's!

There's a whole bunch of reasons why this annoys me, the first of which is SUPERMAN DOESN'T HAVE A KID. Yeah, I know this is a movie and it's different, blah, blah, blah. But it's totally unnecessary. Seriously, as a thematic device it serves little to no purpose. I suppose that one could make the argument that giving Superman a son humanizes him. However, I would make the argument that Superman already was human enough, having been raised by two loving human parents who instilled in him his values. Also, let's not forget his relationship with, and his love for, Lois Lane.


As it stands, the introduction of a child for Superman only served to confuse and confound not only the message of the movie, but it's audience. Watching the movie, it quickly became apparent that director Brian Singer had cast Superman this time not as a metaphor for America (as Donner had), but as a metaphor for Christ. Seriously, the Christ-like images of Superman occur so often, you could make a drinking game out of spotting them. Does saddling Supes with a kid reinforce this metaphor? No, rather it detracts. If the writer(s) really wanted to reinforce this metaphor, a better tact would have been to play up Superman being raised by his earthly parents when he is clearly more than human, as Joseph and Mary are said to have done with Jesus. Not that I think that the whole Superman as Christ metaphor is a particularly good one (I prefer the Donner metaphor), but for the most part it works. It just could have worked better.

As far as confusing the audience goes, I've got to say that throwing the kid in there initially not only confused me, but actually pissed me off. First off, as I said before, SUPERMAN DOESN'T HAVE A KID. But it went further than that. I mean, Superman is supposed to represent our best ideals, and in the movie he's a Christ figure, so it was completely out of character for him to father an illegitimate son. Not only that, but he flew off into space leaving the mother of the child to raise him on her own. Superman? Try Super Deadbeat Dad. And I'm not even getting into the actual logistics of how Superman could knock Lois up without killing her!

After the movie, I had a bad taste in my mouth. For the next 2 days when people asked me about Superman Returns, I gave a them a thumbs down. Then in sort of an epiphany, I remembered the whole sequence in Superman II when Lois and Superman hooked up while he was powerless. The pieces have since fallen into place and I have now cooled off, but this brings me back to one of my original points, which is: if even a fan of the first 2 movies, could understandably have forgotten some of their details, what about the rest of the audience who may have seen the originals only once or not at all? Normally, I get mad when the filmmakers don't give the audience enough credit, but here they gave them too much. Exposition people!

The beginning of the film even started of with a black screen and white text explaining that Superman had left Earth after astronomers discovered the remnants of Krypton and that he had been gone for 5 years. Is it too much to ask then, that they throw the audience a bone with another sentence like, "After his battle with the renegade Kryptonians and it's repercussions on his relationship with Lois Lane, Superman decides to investigate the scientists' discovery," or words to that effect. Something. Anything! It would not only directly acknowledged the films that came before it, and made a better transition, but it would have cleared up some other questions as well, like Superman's timing. It would be understandable if he left after his battle with the other Kryptonians to lick both his physical and spiritual wounds. It would not make sense for him to leave much later than that, though, because he would have known Lois was pregnant. After all, we're talking about a guy that can hear what's going on down on Earth from space and has x-ray vision. If he left knowing Lois was pregnant, it would be totally out of character, and I'm sure this was not the intent, but since the filmmakers were too lazy to spell it out, it leaves you to wonder: maybe Superman's a dick.

Okay with that out of the way, let me tell you my other problems with the movie. It's too long, the plot with Lex and real estate is a little too similar to the original (especially since it's a sequel, not a remake), and by the end it gets kind of boring. Not overly boring, but Superman doesn't really get to fight anyone, he just throws a small continent into space. So, you probably think I hated it, right?

Nope. It takes a lot to make me hate a film. Yes, I was a little disappointed in it, but overall, I thought it was pretty good. In fact, having only seen it only once, I liked it only slightly less than I liked Spider-Man the first time I saw it. What Superman Returns did well, it did exceptionally well. First of all, the movie looks great. I mean it. Great. If it doesn't get nominated for an Academy Award for art direction, it will be a travesty. Second, Routh and Spacey are great replacements for Reeve and Hackman. Third, the special effects are great and Routh looks great in the suit. Fourth, the tone, look, and feel of the movie are spot-on descendants of the original two. And finally, it has a scene where Superman rescues a plane that is beyond words.
It is the best scene of a superhero doing his thing on film so far and it perfectly captures Superman being, well, super. Not only that, but it's quite possibly one of the coolest things I've seen on the silver screen, period.

So, where does that leave us? Well it leaves me shrugging my shoulders and going, "Meh," when people now ask me about the movie. I no longer feel I wasted my money, and it's a far sight better than Daredevil. I remember not really liking Spider-Man all that much until I saw it on DVD, plus having remembered the events of Superman II has certainly taken the edge off my disdain.

So, who knows? Maybe this was just a jumping off point for something better next go around, as was the case Spider-Man. Maybe my questions will be answered and my doubts assuaged. And maybe, just maybe, they'll kill off the kid. Hey, I know it sounds cruel, but that's the only way they can save this franchise. He is only a character after all, and a superfluous (no pun intended) one at that.

The sad thing is, my tickets essentially already been sold, because I can't wait to find out.

5 Comments:

Anonymous Anonymous said...

I may be the only one, but I appreciate the long writeup. I haven't seen it, and unless Adam wants to go, we'll wait until it's on DVD.

7:32 PM  
Blogger Christian said...

Thanks fo reading it. I didn't intend on it being so long when I sat down to write it, it just sort of happened. Every time I wonder if my long-ass posts are so long that nobody even reads them, you throw me a bone. For that, Zach Trexler, I salute you.

11:46 AM  
Anonymous Anonymous said...

Now that I've seen it, I can comment!

The older I've gotten, the more I've come to not like the first two Superman movies because of the hokiness. Superman spinning around to Earth to go back in time, Ned Beatty, Superman getting weird new "laser beams shooting from hands" powers, Ned Beatty, Superman losing his powers through "Kryptonian science," Superman getting his powers back from said Kryptonian science (like it is a fucking lightswitch for God's sake), Ned Beatty, and Superman's weird memory-erasing kiss power.

And Ned Beatty.

All of these are terribly lame. And that is what I loved about Returns; the hokiness was dialed way down. All the characters felt much more thought out. Superman's powers, while not natural, felt grounded in the real world. Donner and Co. made it feel like they were just making stuff up like a kid playing with their toys would:

"Oh yeah, well I just shot your Kryptonians with my HAND LASER BEAMS!"

"Superman can't do that!"

"My Superman can! BEYOWM! BEYOWM! HAND LASERS!"

But I digress...

Superman having a kid doesn't bother me that much. The only plot hole I found if Superman conceived him with no powers, how does the kid have powers? And how does Lois remember boinking Superman but not Clark? What is the fucking chemical formula for that memory erasing kiss where you forget certain parts of who you were boinking? Because this sounds like Scientology to me!

Or did Superman just make Lois do a beer bong and chalk it up to "experimentation?" ("No, no, you thought I was Clark for some reason, but it was me, Superman, that sowed your fertile fields. Hah! Another notch for Superman! You shouldn't drink so much Lois.")

Overall, I enjoyed it and I'm betting the sequel (if there is one) will be much cooler. I'm with you, C, in the hope that there will be an actual threat to fight. I'm rooting for Braniac, although I've heard Zod mentioned. Which would be kind of lame because then Singer would be completely copying the first two (Lex's LexTacular Real Estate Scheme™ in the first one and then Zod in the second one). At least the second LexTacular Real Estate Scheme™ was actually kind of cool and more menacing.

PS - Ned Beatty is a good actor, he only drives me batshit insane in the Superman movies for some reason.

11:41 AM  
Blogger Christian said...

Max-

I agree wholeheartedly that there are a multitude of problems with the first 2 movies. But it's unfortunate that these problems have led you not to like them. I know that taste is subjective, but the first two movies have a lot going for them. Superman: The Movie holds up for me for several reason. The first is how true it stayed to the character. The second is the beautiful cinematography and design (which obviously greatly influenced Returns). And finally, the performance of Christopher Reeve. It was so nuanced and sincere that I believe that he truly transcended the material.

Superman II, I enjoy for totally different reasons. I like it for the same reasons I like Rocky III, it just appeals on more visceral, badass if you will, level. Yes, it has Kryptonians displaying weird powers (telekenisis, beams from hands, etc.), but at least Supes gets to fight people on his level. It gets kind of boring when Superman just has bullets bouncing off of him all the time. I have no idea how the original Superman television series lasted so long with him essentially fighting mobsters with guns all the time. It was practically the same show every week!

In further defense of the hokiness of the first two Superman movies, I must first admit that Superman is at times a hokey character. When the movies were made, Superman was hokey. He had all sorts of superpowers, including super-ventriloquism, super-hypnosis, and, yes, the abilty to travel through time and even wipe people's memories with a super-kiss!

That said, I think that even though the movies employed some of these hokier abilities as plot devices, the movies did a lot to inform a newer, better Superman, by humanizing him. This in turn informed the way subsequent writers have handled Superman and led him to be much less hokey. Yes, it's been a long process, but the likes of John Byrne were simultaneously working with/against years and years of pre-existing mythology. They, like the filmmakers had to walk a fine line of acknowledging some of the sillier aspects of Superman, while trying to create something better. I'd take a super-kiss or time travel over Superman in a black costume using his metal chest emblem as throwing stars any day! So, just remember, a lot of what you liked about Returns comes from the first two movies.

Which leads us to the Superkid in Superman Returns. Did his addition make anything better? I don't think so. Like I said, I find him totally superfluous and, like you said, all he seems to do is add questions.

I will say that I have no problems with him having powers, though. The way I see it, regardless of whether or not Superman had powers at the time he nailed Lois, he would still have Kryptonian DNA, which would still make the kid half Kryptonian.

But you're spot on about Lois's memory issues. If she doesn't remember bumping uglies with Superman, and suddenly finds herself preganant with a superbaby, then using her keen reporting skills she would realize that there are only a couple of possible explanations:

1. She was really f'in drunk and forgot the whole thing.

2. Superman has a power that he didn't tell anyone about: the ability to impregnate people without them knowing. Maybe it's like heat vision, he looks at you a certain way, and instead of getting hot, you get pregnant.

3. Superman effectively "date-raped" her, by some manner unknown to her, either by knocking her out before hand or making her forget afterwards.

Any one of these conclusions would lead her to believe that in some way or another, Superman took advantage of her, then split. Therefore, he is obviously a dick. No wonder she was less than happy when he returned! Anyhow, like I said in my initial post, it just opens up a big can of worms that really serves no purpose. And that's why I have a problem with it.

3:58 PM  
Anonymous Anonymous said...

I should add that I watch the first two Superman movies whenever they're on television - I don't hate them by any stretch, but even as a kid I was like "whoa, laser hands?" Those new powers and my other squirm moments do harken back to the old silly continuity, but at the same time, those comics were also commercial failures, especially when Marvel got their groove on in the early 60s. Don't get me wrong - they're fun, and I love the new All-Star Superman with Grant Morrison riffing on those old wacko stories. However, seeing those squirm moments on screen with real people take me out of the film's world completely.

Still, yes, the black costume with swords would have killed me inside, so I'd take the squirm moments.

I think the kid was added for a reason, simply to complicate the Superman/Lois relationship - making it that much harder for them to get back together. Lois moved on and found a father figure for her child, and he is written as a great character. And we all know that Lois and Superman get together eventually, so that is just built in conflict for the sequel. I'm with you in the sense that I didn't need the kid in the movie, but it helped make the conflict more interesting since Lois doesn't want to give up on her other relationship, especially since the guy is awesome.

As far as date rape - did you see Rescue Me last week? Roofies and Viagra, that is all I'm saying. Maybe Lois man-raped him, got pregnant, and is now trying to make him feel guilty so he can pony up some Super Child Support Payments?

And if I can come up with that conclusion that quickly - they may want to clear that up in the next one. :)

4:28 PM  

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